Chair Protoype
I designed and fabricated a chair prototype for a third-year furniture project.
Brief
Design a comfortable wooden chair. Explore the notion of comfort and how a hard material such as wood can provide it.
Criteria
must be 100% wood (solid wood, plywood and veneer)
upholstery options (should you wish to use them) are limited to cane or Danish cord
must have a backrest
does not need to include armrests
must not only be comfortable for you, it must be universally comfortable for the maximum number of people
Intent
Two of my favorite armchairs are: the classic Round Chair, designed by Hans Wegner in 1949; and the contemporary Hiroshima Armchair, designed by Naoto Fukasawa in 2008. They're both elegant, purposeful, and quiet.
Inspired by these two chairs, my goal was to make a low-back armchair for dining or conferencing; combining a tactile, vintage-looking woven seat, with contemporary forms.
Dimensions
overall dimensions are 23+1/2" wide, 21" deep, and 30" tall
floor-to-seat height is 17"
floor-to-seat angle is 3°
seat-to-back angle is 104°
floor-to-armrest height is 27+1/4"
Materials
solid ash
Danish cord
plant-based wax-oil finish
I wanted to use Osmo Raw, but it wasn't available at the moment. Osmo Raw would have slightly whitened the wood, creating a subtle contrast to the Danish cord.
Only when I started to weave, and watched YouTube tutorials, did I realize that this chair design was not suitable for a rush patterned weave. I had considered doing a basket weave pattern. But according to YouTube videos, I needed L-shaped tacks which I did not have and could not find to purchase. Also, the slots in my rails seemed to make basket weaving very difficult. Wegner's Round Chair has slots in the rails, but each strand was only the length of the width or depth of the seat (not one continuous strand), and each strand was stapled into rabbets on the underside of the rails. I did not have staples, and my rails did not have rabbets. I had considered wrapping around the entire rail, covering the slots. But I had worked hard to make those slots, and I wanted to show them off. After a couple days of trial and error, I eventually came up with my own method of weaving a rush pattern into slotted rails. It's not ideal, but it's comfortable, and it doesn't look too bad.
The armrests should be parallel to the floor. But for some reason, the back legs are a little too short. Also, I accidentally made the backrest a little too thin.
Overall, I'm quite happy with the chair. This is also my first time sculpting a seamless curve from one part to another, and I'm pretty happy with how that turned out. Early on in the project, I was worried that I would just be copying the Round Chair and Hiroshima Armchair. But after getting feedback on my ergonomic mock-up, I was glad I was able to come up with an armrest shape that would subtly differentiate my design from Wegner's and Fukasawa's. I think the shape of the armrests are congruous with the shape of the backrest, while creating an interesting transition between the two, while maintaining a continuous curve from elbow to elbow. The rush pattern also speaks well to the diagonal back-arm joints.